March 2000
Audience Auric
Illuminator
Optical-Disc Treatment System
by Doug Blackburn
 |
Review Summary
| Sound |
"Instantly
recognizable increase in the space a recording throws into the room and an enriching of
harmonic structure"; works with DVDs too. |
|
| Features |
Includes
all-synthetic polishing cloths, two small squeeze bottles of Auric Illuminator
surface-treatment gel and an edge-marking pen. |
|
| Use |
Two-step process is
easy to do -- mark the disc's edges with the pen and then apply/buff the gel. |
|
| Value |
Can effect changes
that "people will pay hefty sums for" -- but you'll pay only $39.95. |
|
|
|
Here is
another entry in the ever-questionable optical-disc treatment sweepstakes. The "bits
is bits" crowd would have you believe that if a CD, laserdisc or DVD player can read
the disc, then there is nothing you can do to the disc to improve the sound you hear.
These people lose sight of the fact that the signal retrieved from CD or DVD is an analog
signal, not digital. The signal from the disc does not become digital until it reaches the
first IC on the main board, where the analog signal is converted from analog to bits for
the first time. Because the signal exists in the analog domain for a period of time before
conversion to digital, it is subject to all forms of analog noise. Static electricity
fields and refractions at surface boundaries (air-to-disc and disc-to-air) could
presumably alter the retrieved analog signal enough that there would be an audible effect
on playback.
There are probably a half-dozen or more different
surface-treatment products for CDs and DVDs out there in high-end-audio land. You have to
wonder how many of these products the market can or will support. I was a bit surprised to
hear from the manufacturer of the Auric Illuminator system, Audience, about their product.
It has been about two years since I last tried a new CD/DVD surface-treatment product, so
the timing seemed to be reasonable. Besides, Audience was claiming that the Auric
Illuminator produced more beneficial sonic improvements than other products, and that's a
claim worth testing.
The $39.95 kit includes a number of all-synthetic
polishing cloths, two small squeeze bottles of Auric Illuminator surface-treatment gel and
an edge-marking pen, which is to be used to paint the outer and inner edges of CDs and
DVDs. My opinion of edge pens for CDs has waned over time. Years ago, I thought I was
hearing a consistent improvement after painting edges with green pens, but the improvement
was elusive at best and non-existent many times. As time went on, I noticed that there
were lots of things you could do to make more obvious improvements that you could also get
from edge-marking pens. What really hacked me off was learning that the used CD stores
would not take my green-penned CDs in trade. The Auric Illuminator gel has the consistency
of hand cream -- thick, creamy and slippery. Audience recommends treating both sides of
each CD to minimize static buildup. You place two drops of Illuminator on one surface and
smear it around until you cover the surface uniformly with the Auric gel. Then buff it off
with one of the cloths. Audience claims that one kit will treat 200 to 400 CDs or DVDs,
which comes to 10 to 20 cents per disc.
Listening to audio CDs
I did some testing to find out if the Auric
Illuminator system did more than the other surface treatments I had on hand, Reveal and a
little bit of Finyl. Audience says you can wash off the Auric Illuminator gel with soap
and water. I tried this and was able to restore the sound of CDs to their pre-treated
condition. This permitted me to try the Auric Illuminator system, Reveal and Finyl on the
same CDs, as Reveal and Finyl also wash off with soap and water.
| Associated Equipment Loudspeakers Vandersteen 3A Signature with
two Vandersteen 2Wq subwoofers.
Amplifiers Belles 150A Hot Rod.
Preamplifier Audible Illusions
Modulus 3A with Gold phono boards.
Analog Roksan Xerxes turntable, SME
V tonearm rewired with Nordost Moon Glo cable, low-output Cardas Heart cartridge.
Digital Panasonic A-310 DVD player,
CAL CL-25 CD/DVD player.
Interconnects Magnan Signature,
Nordost SPM Reference, Nirvana SL.
Speaker cables JPS Labs NC Series,
Magnan Signature.
Power cords VansEvers Pandora and
Pandora Photon; JPS Labs Analog, Digital, and Power AC cords; Audio Power Industries Power
Link 313; Magnan Signature.
Power conditioners VansEvers Model
85, Unlimiter, jr. Video, jr. Analog, Reference Balanced 5; Magnan Signature; PS Audio
P300.
Room acoustic treatments Michael
Green Audio and Video Designs Pressure Zone Controllers, Argent RoomLens, VansEvers
Spatial Lens and Window system. |
|
|
My initial impression was that Auric Illuminator
did do more than other surface treatments for improving sound quality. (Reveal was second
and Finyl third.) The general improvements I hear from optical surface treatment of CDs
are an instantly recognizable increase in the space a recording throws into the room and
an enriching of harmonic structure, which makes instruments sound more complete, accurate
and mellow all at the same time. There is also a reduction in electronic edge and
grayness, giving digital a more relaxing sound -- similar to the quality of LP playback.
You dont need special CDs to hear what
Auric Illuminator does. I used the following titles in my evaluation: Donovan From a
Flower to a Garden [BGO label, UK import only], this is the folkie side of Donovan,
different and better recorded than his hits; XTC Apple Venus [TWT Records 3250],
bigger in scope than their previous albums; Ladysmith Black Mambazo Heavenly
[Shanachie 64098], a cappella voice; John Hartford Good Old Boys [Rounder
ROUN0462], contemporary acoustic folk-bluegrass. For improvement of sound quality, Auric
Illuminator gets a definite thumbs up. The Auric Illuminator system was the best-sounding
surface treatment on all of these CDs.
DVD? Oh yeah!
Moving on to DVD, I performed very similar
experiments, doing both image-quality and surround-sound evaluations to see if I could
detect differences. I used the following DVDs for these evaluations: Austin Powers: The
Spy Who Shagged Me, James Taylor: Live at the Beacon Theater, Cirque
dSoleil: Quidam. In all three cases I observed distinct sonic improvements
that followed the same pattern as the CD-audio improvements. The Auric Illuminator system
gave the most pronounced improvement (Reveal second and Finyl third). I noted the same
improved spaciousness and more complete harmonic structure to the music and sound.
However, with the DVDs, it was easier to forget that I was listening to better sound.
Perhaps the degree of improvement was a notch or two less obvious than with audio CDs, or
perhaps I was just overly distracted by the video portion of each presentation that it was
easier to forget the improved sound. Removing any of the surface treatments was definitely
an exercise in "coming down," and I would probably use a surface treatment on
DVDs even if the sound were the only thing improved.
The Auric Illuminator improved image quality of
DVDs to a rather surprising degree. My wife thought the transformation of Quidam
was "pretty darn good." Yellow stage lighting became more golden and saturated
-- warmer and richer, less hazy and more well defined from shadows to highlights. Blues
probably changed the most. Some scenes in Quidam are heavily lit with blue stage
lighting. Without surface treatment, the look of blue-lit objects was often hazy and dull.
After surface treatment, there was a new "snap" to blue-lit objects. There was
more detail, more dimension and a wider gamut of shades of blue. The many tiny overhead
lights present in most shots in Quidam became tightly defined with a much-improved
sense of being suspended in real dimensional space. Reds lost their tendency to block up
and lose detail, and again there seemed to be more different shades of red visible, which
gave images a much more real appearance.
The Austin Powers and James Taylor discs
were improved to the same degree as Quidam. It was quite easy to detect in playback
systems that I was very familiar with. The scenes with psychedelic colors in Austin
Powers were much more convincingly correct after surface treatment. Everything became
more dimensional on both discs. Edge definition improves noticeably when you get up close
to the screen. As you move back, you dont specifically see that edge-detail
improvement, but you do see unmistakably better images. Little details that were subtle
before become unmistakable after surface treatment.
Conclusion
For 10 to 20 cents per disc, you get the kind of
improvement in sound and image quality that people will pay hefty sums for. Although the
degree of image and sound improvement offered by the Auric Illuminator system is
considerably larger than subtle, it is a long way from huge. As always, I dont want
to over-hype the degree. Cable and component changes often make improvements that are
similar in degree to what I achieved with the Auric Illuminator system.
If you only have $39.95 to spend but want a kick
in the pants that offers images and sound as significant as a DVD-player upgrade,
Audience's Auric Illuminator should be one of the first things you think about. If you
already have a top-flight DVD player and other goodies, the Auric Illuminator will make
them even better. The bottom line: Im applying the Auric Illuminator system to all
my favorite and reference CDs and DVDs, and every new disc that comes in is going to get
treated too. When you can spend this little and get this much, its like,
"Duh?!"
...Doug Blackburn
db@soundstage.com
Audience Auric Illuminator Optical-Disc
Treatment System
Price: $39.95Audience
1525 Brian Place
Escondido, CA 92025
Phone: (800) 565-4390
Fax: (760) 743-2192
E-mail: auraphon@aol.com
Website: www.audience-av.com |
|